Showing posts with label crossover. Show all posts
Showing posts with label crossover. Show all posts

Tuesday, May 17, 2011

Anberlin's Next Single?

I'm going to be honest with you right now:

I LOVE ANBERLIN!

I was so excited when I got the e-mail last year that Anberlin's latest album, "Dark Is The Way, Light Is A Place," was launching on Amazon MP3 for only $2.99.  You had better believe that I bought it that night!

I was even more excited when I found out that it debuted at the #2 position on the album download charts on both Billboard and iTunes.  What a huge leap in the right direction for Anberlin!  What an opportunity to expose more people to the Gospel with a greater reach!

As I listened to the album, I was astounded by some of the new elements they incorporated (a topic we may cover in a future post.)  I was especially surprised by their choice of "Impossible" as the first single.  It's a skillfully executed song with a strong melody, but what surprised me was the fact that the "Impossible" starts on a major chord (D major, to be precise.)  This is unusual for Anberlin, given their apparent love of minor-dominated singles (all of which I love, by the way.)  Take a look:

Change The World (Lost Ones) - D minor
Cadence - F# minor
Paperthin Hymn - D minor
Feel Good Drag - F minor
The Unwinding Cable Car - C# minor
A Whisper & A Clamor - C minor

Now that I've listened to the album all the way through a few times, I think I have an idea of what their next single may be, but I'm torn between two songs: the separation conflict "Closer," and the relationship conflict "Art Of War."  Both are songs that open in minor keys, and both would make excellent singles that would follow nicely in the footsteps of Anberlin's previous singles.  I would love to hear your opinion as to which you like better!

"Closer" is a simple-enough work that seems to explore one man's cry to be closer to his creator after a time of separation.  Apparently, the separation was cause in part by the man's inability to receive God from a standpoint of faith ("Do you expect me to beyond believe you?")  It relates to a place that almost all of us have been at in our walk with God, and rightly expresses the desperation and longing of such times.  The atypical drum line really helps to drive the song.  You can check out the the song below:



Now, "Art Of War" is a whole different beast entirely.  We get started here with bass, drums, and organ.  Seriously, organ!  It's a step in a completely different direction, and one of the new elements we're seeing from Anberlin that I mentioned before.  "Art Of War" seems to take us through a story of looking back on a painful relationship, though we're not really sure with whom (songs like this make me think of the lyrics from "Impossible" - "You're impossible to figure out.")  We see that the pain from the relationship has been overcome, though there are certain parts of the pain that will never go away.  Many of us have had relationships with mothers, fathers, sisters, brothers, significant others that have left us feeling this way, but at least we know that, with Jesus, we can always overcome the pain.  I will say this: this is really a moving song, even if you aren't quite sure what it's about.



Now, the tough part: let us know which one you like better, and which one Anberlin is more likely to release as a single!  And don't forget to stay tuned for more great finds from Christian Music Discovery, the place for good Christian music!

Saturday, November 20, 2010

“Grace” - Ed Kowalczyk

Just in case you didn't know, Ed Kowalczyk, the former frontman of Live, went solo, and with a holy vengeance at that.

On his debut single, Ed shows a passion that we've never heard from him before. Ed works hard to get his message across, that, no matter what you look at or what you have to say, his faith is real. It's the kind of intensity that makes you want to stand up and shout “Yeah, that's right, I do still have faith; so put a sock in it!”

Okay, maybe holy vengeance was the wrong term to use. How about a holy passion? Yes, that will work.

This is quite the contrast from his days with Live. I went back and listened to two of Live's most loved songs: “I Alone” and “Heaven,” songs of similar tempo where Kowalczyk sings in a similar range, and I was shocked at the difference in the intensity of his voice on “Grace.” Whereas, with Live, it almost sounded easy (even on “Heaven,” which is another faith declaration), Kowalczyk works hard to make sure that you know that he means and believes every word he's singing.

Now, if a line a ever existed between alt-rock and alt-metal, EK sure found it on “Grace.” The song starts out nice and easy, and doesn't immediately give the impression of a smashing power-song, but once the drums and EK's voice kick in, you get the impression that you're in for something good, and something intense. The chorus rolls along nicely until the whole song finds a new level when, on the bridge, we get some distortion scratching and those metal-esk guitar riffs. The change is subtle, though, and only serves to tie the whole song together into one extremely heartfelt message.

In four words: “I love this song!”

In three more words? “You will too.”

You can listen to "Grace" using the YouTube video below:




Like what you've heard so far? Stay tuned for more great finds at Christian Music Discovery, the place for good Christian music.

Don't like what you've heard so far? Let me know! Click my profile link on the right, and shoot me an e-mail to let me know about an artist, album, or song that you think we should feature at Christian Music Discovery.

Afterthought: After hearing this song, my wife better understood what many of Live's songs were about. I'm sure some of you can appreciate her epiphany.